RAFFAELLO Sanzio
Italian High Renaissance Painter, 1483-1520 Italian painter and architect. As a member of Perugino's workshop, he established his mastery by 17 and began receiving important commissions. In 1504 he moved to Florence, where he executed many of his famous Madonnas; his unity of composition and suppression of inessentials is evident in The Madonna of the Goldfinch (c. 1506). Though influenced by Leonardo da Vinci's chiaroscuro and sfumato, his figure types were his own creation, with round, gentle faces that reveal human sentiments raised to a sublime serenity. In 1508 he was summoned to Rome to decorate a suite of papal chambers in the Vatican. The frescoes in the Stanza della Segnatura are probably his greatest work; the most famous, The School of Athens (1510 C 11), is a complex and magnificently ordered allegory of secular knowledge showing Greek philosophers in an architectural setting. The Madonnas he painted in Rome show him turning away from his earlier work's serenity to emphasize movement and grandeur, partly under Michelangelo's High Renaissance influence. The Sistine Madonna (1513) shows the richness of colour and new boldness of compositional invention typical of his Roman period. He became the most important portraitist in Rome, designed 10 large tapestries to hang in the Sistine Chapel, designed a church and a chapel, assumed the direction of work on St. Peter's Basilica at the death of Donato Bramante,

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RAFFAELLO Sanzio Hl. Georg im Kampf mit dem Drachen oil painting


Hl. Georg im Kampf mit dem Drachen
Date 1505(1505) Medium Oil on wood Dimensions Deutsch: 31 x 27 cm cjr
Painting ID::  83142
RAFFAELLO Sanzio
Hl. Georg im Kampf mit dem Drachen
Date 1505(1505) Medium Oil on wood Dimensions Deutsch: 31 x 27 cm cjr
   
   
     

RAFFAELLO Sanzio Bridgewater Madonna oil painting


Bridgewater Madonna
Date ca. 1507(1507) Medium Oil on canvas transferred from panel Dimensions Height: 81 cm (31.9 in). Width: 56 cm (22 in). cjr
Painting ID::  83527
RAFFAELLO Sanzio
Bridgewater Madonna
Date ca. 1507(1507) Medium Oil on canvas transferred from panel Dimensions Height: 81 cm (31.9 in). Width: 56 cm (22 in). cjr
   
   
     

RAFFAELLO Sanzio Donna Velata oil painting


Donna Velata
oil on canvas, 85 x 64 cm cyf
Painting ID::  83680
RAFFAELLO Sanzio
Donna Velata
oil on canvas, 85 x 64 cm cyf
   
   
     

RAFFAELLO Sanzio Portrait of a Young Man oil painting


Portrait of a Young Man
1514 Alternate: c. 1509-11 Medium Oil on parqueted board Dimensions 59 x 75 cm (23.2 x 29.5 in) cyf
Painting ID::  83844
RAFFAELLO Sanzio
Portrait of a Young Man
1514 Alternate: c. 1509-11 Medium Oil on parqueted board Dimensions 59 x 75 cm (23.2 x 29.5 in) cyf
   
   
     

RAFFAELLO Sanzio Retrato de Pietro Bembo oil painting


Retrato de Pietro Bembo
Date ca. 1504(1504) Medium Oil on panel Dimensions 54 x 39 cm cjr
Painting ID::  83887
RAFFAELLO Sanzio
Retrato de Pietro Bembo
Date ca. 1504(1504) Medium Oil on panel Dimensions 54 x 39 cm cjr
   
   
     

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     RAFFAELLO Sanzio
     Italian High Renaissance Painter, 1483-1520 Italian painter and architect. As a member of Perugino's workshop, he established his mastery by 17 and began receiving important commissions. In 1504 he moved to Florence, where he executed many of his famous Madonnas; his unity of composition and suppression of inessentials is evident in The Madonna of the Goldfinch (c. 1506). Though influenced by Leonardo da Vinci's chiaroscuro and sfumato, his figure types were his own creation, with round, gentle faces that reveal human sentiments raised to a sublime serenity. In 1508 he was summoned to Rome to decorate a suite of papal chambers in the Vatican. The frescoes in the Stanza della Segnatura are probably his greatest work; the most famous, The School of Athens (1510 C 11), is a complex and magnificently ordered allegory of secular knowledge showing Greek philosophers in an architectural setting. The Madonnas he painted in Rome show him turning away from his earlier work's serenity to emphasize movement and grandeur, partly under Michelangelo's High Renaissance influence. The Sistine Madonna (1513) shows the richness of colour and new boldness of compositional invention typical of his Roman period. He became the most important portraitist in Rome, designed 10 large tapestries to hang in the Sistine Chapel, designed a church and a chapel, assumed the direction of work on St. Peter's Basilica at the death of Donato Bramante,

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